12/14/2023 0 Comments Kodak photo print sizes![]() ![]() Kodak stopped producing 127 film in July 1995, with all but one manufacturer following suit shortly thereafter. Because of their much greater area, the projected image is larger and more brilliant than a 35 mm slide, and they are popularly called " Superslides", a name once reserved for 40 × 40 mm slides cut down from 120 film. ġ27 color transparencies can be mounted in standard 2” square slide mounts, and projected in an ordinary 35 mm projector. The format was mainly used for amateur cameras like the Brownie or the Zeiss Ikon Kolibri, with the Exakta SLR, the “Baby” Rolleiflex, the Yashica 44 TLR, the Komaflex-S SLR and the Primo jr as possible exceptions. Other camera manufacturers did make Vest Pocket-format cameras, however, and 127 film at the time was often labeled “Vest Pocket Film”. Other film manufacturers did not produce Autographic films, for which Kodak held a patent. ![]() After 1913, many Kodak cameras included the Autographic feature, and Kodak's 127 films which had Autographic backing were identified as "A127". The format was part of the ISO 732 standard until it was dropped in the third (1991) edition of that standard. Slides shot on 127 slide film were often preferred over 35 mm for example for sets of slides sold at tourist gift shops, because of the larger photo area (hence the advertised name " Superslides") and completely square dimensions of a 127 slide. 127 cameras from that era were often characterized by simple box-like construction. The 127 format made a comeback during the 1950s as the format of choice for small inexpensive cameras such as the Brownie and Satellite, and continued in wide use until surpassed by the 126 film and 110 film "Instamatic" cartridges (introduced in 19 respectively), and especially by 35 mm. The folding "127s" were in fact smaller than most 35 mm cameras today. The format was introduced by Kodak in 1912, along with the "Vest Pocket Kodak" folding camera, as a compact alternative to larger portable cameras using 120 film. ![]() History Kodak Verichrome VP127 film in various states used an image format of 3.6 cm × 2.4 cm (the same size as is standard for 135) for initial versions of their 127-based "Derby" camera. For its "Alfax" model (circa 1940), Kimura Kōgaku had 4 cm × 4.5 cm frames, spaced by markings on the wind knob. Less commonly, other frame sizes have been used. Using the square format, there are 12 exposures per roll 4×3 and 4×6 give 16 and 8, respectively. Frame number markings for the 4×4 and 4×6 image formats are printed on the backing paper, while 4×3 cameras typically have two frame counter windows, exposing the left and right halves of the 4×6 frame. However, as of 2020 it survives as a niche format and is still in production. However, rectangular 4 cm × 3 cm and 4 cm × 6 cm are also standard.ġ27 enjoyed mainstream popularity until its usage began to decline from the 1960s onwards in the face of newer, cartridge-based films. The image format normally used is a square 4 cm × 4 cm. The film itself is 46 mm wide, placing it between 35 mm and 120 "medium format" films in terms of size. JSTOR ( March 2017) ( Learn how and when to remove this template message)ġ27 film roll with "Baby Brownie" in the background 127 film (center, with spindle) sits between 35 mm (left) and 120 roll film (right) formats in terms of size.ġ27 is a roll film format for still photography introduced by Kodak in 1912.Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. ![]() This article needs additional citations for verification. ![]()
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